The Hill of Devi in light of A Passage to India: retrospective postcoloniality


The Criterion

The Criterion: An International Journal in English
Volume 17, Issue 2 · April 2026 · ISSN 0976-8165

Open Access
CC BY 4.0
Crossref DOI


The Hill of Devi in light of A Passage to India: retrospective postcoloniality


Shah Mohd AbdullahORCID

British Literature
Pages 57–70
Article #04
2026V17N2011

DOI

Digital Object Identifier

10.66376/criterion.v17.n2.4

Registered with Crossref · Open Access · CC BY 4.0

Abstract

The experiences of Forster in The Hill of Devi lend a window in his mind and thought which developed into A Passage to India. But what we endeavour to find here is the insights behind these thoughts which ultimately became the plot and character of his novel. We observe that he fictionalises the facts to a certain extent to feed the stereotypes to suit his. Such convergence and diversion would be studied in the following article. Also the application of postcolonial theory retrospectively produces nuanced approaches. We analyse a text keeping mind the context of the text, its history, geography and the system of knowledge of which it is a part. Such systems of knowledge have vehemently been challenged but gained momentum through Edward Said’s Orientalism. This paper tries to delve into the fact and fiction of E M Forster and record observation through the postcolonial lens.

Keywords
intentionnativecolonizerimperialism

Cite This Article — MLA 9th Edition

Shah Mohd Abdullah. “The Hill of Devi in light of A Passage to India: retrospective postcoloniality.” The Criterion: An International Journal in English, vol. 17, no. 2, Apr. 2026, pp. 57–70. DOI, https://doi.org/10.66376/criterion.v17.n2.4.

Article History
Received
2/19/2026/2026
Accepted
27 Apr 2026
Published Online
30 Apr 2026

Journal
The Criterion: An International Journal in English
Volume / Issue
Vol. 17, No. 2 (April 2026)
Pages
57–70
Article ID
2026V17N2011
ISSN
0976-8165

Open Access
CC BY 4.0
Crossref DOI

Open Access · CC BY 4.0 · Crossref DOI ·
the-criterion.com

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