Comparative Literature
Portrayals of Dissociated Subjectivity in Sartre’s Nausea and Dostoyevsky’s Notes from Underground
Volume / Issue
Vol. 17, Issue 1 · February 2026
Pages
501-516
Article ID
2026V17N1044
Abstract
This paper examines subjectivity as a structural and ethical problem emerging from the destabilization of metaphysical substance. Departing from the classical conception of the subject as a reflection or modification of substance, the paper evaluates the reciprocal dependence between subjectivity and substance. Through close readings of Sartre’s Nausea and Dostoyevsky’s Notes from Underground, it traces the demystification of substance and the consequent dissociation of the subject. This analysis demonstrates how this collapse produces a form of subjectivity that is no longer anchored by the apodictic foundations of metaphysics – revealing an ethical condition marked by contingency, negation, and a narcotic constancy to nothingness.
Keywords
subjectivitymetaphysicsethicssubstancenegation
Article History
Received
16-01-2026
Accepted
11 February 2026
Published Online
3 February 2026
Full Text
How to Cite
Tiyas Mondal. “Portrayals of Dissociated Subjectivity in Sartre’s Nausea and Dostoyevsky’s Notes from Underground.” The Criterion: An International Journal in English, vol. 17, no. 1, Feb. 2026, pp. 501-516. ISSN: 0976-8165. DOI: https://doi.org/10.66376/criterion.v17.n1.35

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