Mapping the Concrete reality: A Search for Factual Life in A. S. Byatt’s The Biographer’s Tale


The Criterion

The Criterion: An International Journal in English
Volume 17, Issue 2 · April 2026 · ISSN 0976-8165

Open Access
CC BY 4.0
Crossref DOI


Mapping the Concrete reality: A Search for Factual Life in A. S. Byatt’s The Biographer’s Tale


Dr. Harwinder Kaur

British Literature
Pages 734–751
Article #48
2026V17N2117

DOI

Digital Object Identifier

10.66376/criterion.v17.n2.48

Registered with Crossref · Open Access · CC BY 4.0

Abstract

The research paper aims to explore the concept of constructing an ideal biography in A. S. Byatt’s novel The Biographer’s Tale. It examines the writer’s passion, through her character Phineas Nanson, to find a life full of facts and things in the incoherent contemporary world by tracing the textual remains from the past. It deals with the way a modern scholar, expert in poststructuralist theories, gets disillusioned with the modern-day academic atmosphere and decides to follow a meaningful life by writing a biography of a fictitious biographer. The study demonstrates the process of biography writing and the difficulties faced by the authors. The primary motif of Phineas is the arrangement of facts but his conceptualization of the unified self is undermined by fragmentary documents he discovers in the process.

Keywords
postmodernismmetafictionbiography writinghistorical knowledgetextuality

Cite This Article — MLA 9th Edition

Dr. Harwinder Kaur. “Mapping the Concrete reality: A Search for Factual Life in A. S. Byatt’s The Biographer’s Tale.” The Criterion: An International Journal in English, vol. 17, no. 2, Apr. 2026, pp. 734–751. DOI, https://doi.org/10.66376/criterion.v17.n2.48.

Article History
Received
3/31/2026/2026
Accepted
22 Apr 2026
Published Online
30 Apr 2026

Journal
The Criterion: An International Journal in English
Volume / Issue
Vol. 17, No. 2 (April 2026)
Pages
734–751
Article ID
2026V17N2117
ISSN
0976-8165

Open Access
CC BY 4.0
Crossref DOI

Open Access · CC BY 4.0 · Crossref DOI ·
the-criterion.com

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