Incarcerated and Silent: Exploring Female Prison Space in Nadia Hashimi’s A House Without Windows

The Criterion

The Criterion: An International Journal in English
Volume 17, Issue 4 · August 2026 · ISSN 0976-8165

Open Access
CC BY 4.0
Crossref DOI


Incarcerated and Silent: Exploring Female Prison Space in Nadia Hashimi’s A House Without Windows


Dr. Manu Bharti

Gender Studies & Feminist Literature
Pages 75-87
Article #05
2026V17N4008

DOI

Digital Object Identifier

10.66376/criterion.v17.n4.5

Registered with Crossref · Open Access · CC BY 4.0

Abstract

Afghan women have one of the lowest Gender Development Index indicators in the world. They are silenced, dominated and marginalised with little to no freedom or power. From being sexually marginalised to being politically silenced, the customary law is regressive beyond imagination. The present paper is a study of female incarceral space and Afghan legal laws with special reference to Nadia Hashimi’s A House Without Windows. It subverts the idea of prison when it comes to women and explores prison space as therapeutic community, praxis of survival and a site of transformation. Moreover the paper analyses body as site of resistance and uses silence as a tool to protect one’s own truth by controlling one’s own narrative. By exploring the strategy of reticence, it delineates silence as passive resistance, a coping mechanism and a form of autonomy.

Keywords
autonomyincarcerationpatriarchyprisonsilence.

Cite This Article — MLA 9th Edition

Dr. Manu Bharti. “Incarcerated and Silent: Exploring Female Prison Space in Nadia Hashimi’s A House Without Windows.” The Criterion: An International Journal in English, vol. 17, no. 4, August 2026, pp. 75-87. DOI, https://doi.org/10.66376/criterion.v17.n4.5.

Article History
Received
8 Jun 2026
Accepted
3 Aug 2026
Published Online
31 Aug 2026

Journal
The Criterion: An International Journal in English
Volume / Issue
Vol. 17, No. 4 (August 2026)
Pages
75-87
Article ID
2026V17N4008
ISSN
0976-8165

Open Access
CC BY 4.0
Crossref DOI

Open Access · CC BY 4.0 · Crossref DOI ·
the-criterion.com

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