Portrayals of Dissociated Subjectivity in Sartre’s Nausea and Dostoyevsky’s Notes from Underground

The Criterion: An International Journal in English
ISSN: 0976-8165 | Impact Factor: 8.67 | Peer-Reviewed | Open Access
Comparative Literature

Portrayals of Dissociated Subjectivity in Sartre’s Nausea and Dostoyevsky’s Notes from Underground

Tiyas Mondal
Vol. 17, Issue 1February 2026Pages 501-516Article ID: 2026V17N1044

Abstract

This paper examines subjectivity as a structural and ethical problem emerging from the destabilization of metaphysical substance. Departing from the classical conception of the subject as a reflection or modification of substance, the paper evaluates the reciprocal dependence between subjectivity and substance. Through close readings of Sartre’s Nausea and Dostoyevsky’s Notes from Underground, it traces the demystification of substance and the consequent dissociation of the subject. This analysis demonstrates how this collapse produces a form of subjectivity that is no longer anchored by the apodictic foundations of metaphysics – revealing an ethical condition marked by contingency, negation, and a narcotic constancy to nothingness.

Keywords

subjectivity, metaphysics, ethics, substance, negation

How to Cite

Tiyas Mondal. “Portrayals of Dissociated Subjectivity in Sartre’s Nausea and Dostoyevsky’s Notes from Underground.” The Criterion: An International Journal in English, vol. 17, no. 1, Feb. 2026, pp. 501-516. ISSN: 0976-8165.

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