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	<title>African Literature &#8211; The Criterion: An International Journal in English</title>
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	<link>https://www.the-criterion.com</link>
	<description>Bi-Monthly, Peer-reviewed and Indexed Open Access eJournal ISSN: 0976-8165</description>
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	<title>African Literature &#8211; The Criterion: An International Journal in English</title>
	<link>https://www.the-criterion.com</link>
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	<item>
		<title>Human Affinities to Nature and Mythic Ecological Imagination in Chinua Achebe’s Arrow of God</title>
		<link>https://www.the-criterion.com/human-affinities-to-nature-and-mythic-ecological-imagination-in-chinua-achebes-arrow-of-god/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:58 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[eco-philosophy, nature, culture, mythic ecological imagination, cosmovision.]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/human-affinities-to-nature-and-mythic-ecological-imagination-in-chinua-achebes-arrow-of-god/</guid>

					<description><![CDATA[eco-philosophy, nature, culture, mythic ecological imagination, cosmovision.]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Human Affinities to Nature and Mythic Ecological Imagination in Chinua Achebe’s Arrow of God</h2>
<p><strong>Author:</strong> Dr Witness Mdoka</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n6 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Dec 2023</p>
<p><strong>Pages:</strong> 241-258</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n6/AF03.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />Africa’s rich cultural heritage is reflected in literary texts as products of the African</p>
<p><strong>Keywords:</strong> eco-philosophy, nature, culture, mythic ecological imagination, cosmovision.</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
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		<title>Eco-pharmacopoeia, Animal and Plant Lore in Malawian Folktales</title>
		<link>https://www.the-criterion.com/eco-pharmacopoeia-animal-and-plant-lore-in-malawian-folktales/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:58 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[eco-pharmacopoeia, zoology, botany, folklore, medicines, metaphor.]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/eco-pharmacopoeia-animal-and-plant-lore-in-malawian-folktales/</guid>

					<description><![CDATA[eco-pharmacopoeia, zoology, botany, folklore, medicines, metaphor.]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Eco-pharmacopoeia, Animal and Plant Lore in Malawian Folktales</h2>
<p><strong>Author:</strong> Dr Witness Mdoka</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n6 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Dec 2023</p>
<p><strong>Pages:</strong> 220-240</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n6/AF02.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />This paper is a content analysis of animal and plant lore in folktales in the context of</p>
<p><strong>Keywords:</strong> eco-pharmacopoeia, zoology, botany, folklore, medicines, metaphor.</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
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		<title>Introduction To Ben Okri&#8217;s &#8220;The Famished Road&#8221; Magical Realism</title>
		<link>https://www.the-criterion.com/introduction-to-ben-okris-the-famished-road-magical-realism/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:58 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Magical Realism, Ben Okri, The Famished Road, African Literature,]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/introduction-to-ben-okris-the-famished-road-magical-realism/</guid>

					<description><![CDATA[Magical Realism, Ben Okri, The Famished Road, African Literature,]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Introduction To Ben Okri&#8217;s &#8220;The Famished Road&#8221; Magical Realism</h2>
<p><strong>Author:</strong> Atish Chandrakant Akade</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n6 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Dec 2023</p>
<p><strong>Pages:</strong> 209-219</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n6/AF01.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />In &#8220;The Famished Road,&#8221; Ben Okri employs magical realism in a masterful way to</p>
<p><strong>Keywords:</strong> Magical Realism, Ben Okri, The Famished Road, African Literature,</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
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		<title>The Quest for Political Freedom in Prison Narratives: A Critical Reading of Helon Habila’s Waiting for an Angel</title>
		<link>https://www.the-criterion.com/the-quest-for-political-freedom-in-prison-narratives-a-critical-reading-of-helon-habilas-waiting-for-an-angel/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:35 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Prison, freedom, justice, language, postcolonial, resistance, power.]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/the-quest-for-political-freedom-in-prison-narratives-a-critical-reading-of-helon-habilas-waiting-for-an-angel/</guid>

					<description><![CDATA[Prison, freedom, justice, language, postcolonial, resistance, power.]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">The Quest for Political Freedom in Prison Narratives: A Critical Reading of Helon Habila’s Waiting for an Angel</h2>
<p><strong>Author:</strong> Mamadou Abdou Babou Ngom</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n5 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Oct 2023</p>
<p><strong>Pages:</strong> 371-389</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n5/AF03.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />Using as a stepping-stone Helon Habila’s Waiting for an Angel, this investigation</p>
<p><strong>Keywords:</strong> Prison, freedom, justice, language, postcolonial, resistance, power.</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
</div>
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		<title>‘Caliban’ and ‘Ariel’ Figures in Alan Paton’s Cry, the Beloved Country: A Study of Native Characters from Postcolonial Perspective</title>
		<link>https://www.the-criterion.com/caliban-and-ariel-figures-in-alan-patons-cry-the-beloved-country-a-study-of-native-characters-from-postcolonial-perspective/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:35 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Racial Discrimination, Ariel, Caliban, Economic Exploitation, Apartheid]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/caliban-and-ariel-figures-in-alan-patons-cry-the-beloved-country-a-study-of-native-characters-from-postcolonial-perspective/</guid>

					<description><![CDATA[Racial Discrimination, Ariel, Caliban, Economic Exploitation, Apartheid]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">‘Caliban’ and ‘Ariel’ Figures in Alan Paton’s Cry, the Beloved Country: A Study of Native Characters from Postcolonial Perspective</h2>
<p><strong>Author:</strong> Dr Shweta Saxena</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n5 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Oct 2023</p>
<p><strong>Pages:</strong> 362-370</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n5/AF02.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />Alan Paton’s Cry, the Beloved Country is an astute representation of racial discrimination</p>
<p><strong>Keywords:</strong> Racial Discrimination, Ariel, Caliban, Economic Exploitation, Apartheid</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
</div>
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		<title>Magda as a Patriarchal Rebel in J. M. Coetzee’s In the Heart of the Country</title>
		<link>https://www.the-criterion.com/magda-as-a-patriarchal-rebel-in-j-m-coetzees-in-the-heart-of-the-country/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:53:35 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Patriarchal rebel, Identity crisis, Sexual liberation, Colonizer-colonized bond,]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/magda-as-a-patriarchal-rebel-in-j-m-coetzees-in-the-heart-of-the-country/</guid>

					<description><![CDATA[Patriarchal rebel, Identity crisis, Sexual liberation, Colonizer-colonized bond,]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Magda as a Patriarchal Rebel in J. M. Coetzee’s In the Heart of the Country</h2>
<p><strong>Author:</strong> Dr. Swapnila</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n5 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Oct 2023</p>
<p><strong>Pages:</strong> 354-361</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n5/AF01.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />In J. M. Coetzee’s novel In the Heart of the Country, Magda is a complex character</p>
<p><strong>Keywords:</strong> Patriarchal rebel, Identity crisis, Sexual liberation, Colonizer-colonized bond,</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
</div>
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		<title>Emergence of Canadian and African Literature: Rising above the Shadows</title>
		<link>https://www.the-criterion.com/emergence-of-canadian-and-african-literature-rising-above-the-shadows/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:45:19 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/emergence-of-canadian-and-african-literature-rising-above-the-shadows/</guid>

					<description><![CDATA[Emergence of Canadian and African Literature: Rising above the Shadows Author: Dr. Yashu Rai Volume: V14 &#160; &#124; &#160; Issue: [&#8230;]]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Emergence of Canadian and African Literature: Rising above the Shadows</h2>
<p><strong>Author:</strong> Dr. Yashu Rai</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n3 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Jun 2023</p>
<p><strong>Pages:</strong> 187-196</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong></p>
<p><strong>Keywords:</strong> </p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
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		<title>Ecodramaturgy, Weather Changes and Animals Dialogue with the Ancestors in John Gwengwe’s, play, Nyama za M’nkhalango</title>
		<link>https://www.the-criterion.com/ecodramaturgy-weather-changes-and-animals-dialogue-with-the-ancestors-in-john-gwengwes-play-nyama-za-mnkhalango/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:44:53 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[ecodramaturgy, ecotheatre, Anthropocene, ecocriticism, animals.]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/ecodramaturgy-weather-changes-and-animals-dialogue-with-the-ancestors-in-john-gwengwes-play-nyama-za-mnkhalango/</guid>

					<description><![CDATA[ecodramaturgy, ecotheatre, Anthropocene, ecocriticism, animals.]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Ecodramaturgy, Weather Changes and Animals Dialogue with the Ancestors in John Gwengwe’s, play, Nyama za M’nkhalango</h2>
<p><strong>Author:</strong> Dr. Witness Mdoka</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n2 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Apr 2023</p>
<p><strong>Pages:</strong> 208-226</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n2/AF03.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />The paper focusses on the mapping out of the contemporary environmental discourse in the</p>
<p><strong>Keywords:</strong> ecodramaturgy, ecotheatre, Anthropocene, ecocriticism, animals.</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
</div>
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		<title>Textual Foregrounding Techniques in Steve Chimombo’s Napolo and Other Poems</title>
		<link>https://www.the-criterion.com/textual-foregrounding-techniques-in-steve-chimombos-napolo-and-other-poems/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:44:53 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Foregrounding, Graphological, Semantic, Phonological, Lexical, Deviation,]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/textual-foregrounding-techniques-in-steve-chimombos-napolo-and-other-poems/</guid>

					<description><![CDATA[Foregrounding, Graphological, Semantic, Phonological, Lexical, Deviation,]]></description>
										<content:encoded><![CDATA[<div class="criterion-article-block" style="max-width:720px;margin:auto;padding:2em 1.5em;font-family:Georgia,serif;font-size:1.05em;background:#f9f9f9;border-radius:10px;">
<h2 style="color:#123456;font-size:1.6em;">Textual Foregrounding Techniques in Steve Chimombo’s Napolo and Other Poems</h2>
<p><strong>Author:</strong> Moses Honde Munthali &#038; Mwayi Augustine Chikowi</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n2 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Apr 2023</p>
<p><strong>Pages:</strong> 227-240</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n2/AF04.pdf" target="_blank">Download PDF</a></p>
<hr style="margin:2em 0;">
<p><strong>Abstract:</strong><br />This paper primarily examines textual foregrounding elements (techniques) employed to</p>
<p><strong>Keywords:</strong> Foregrounding, Graphological, Semantic, Phonological, Lexical, Deviation,</p>
<hr style="margin:2em 0;">
<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
</div>
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		<title>Entropic Urban Space in Alan Paton’s
Cry, the Beloved Country</title>
		<link>https://www.the-criterion.com/entropic-urban-space-in-alan-patonscry-the-beloved-country/</link>
		
		<dc:creator><![CDATA[Madhuri Bite]]></dc:creator>
		<pubDate>Thu, 10 Jul 2025 15:44:41 +0000</pubDate>
				<category><![CDATA[African Literature]]></category>
		<category><![CDATA[Research Article]]></category>
		<category><![CDATA[Urban space, entropic, narrative, suffering, eco-critical.]]></category>
		<guid isPermaLink="false">https://www.the-criterion.com/entropic-urban-space-in-alan-patonscry-the-beloved-country/</guid>

					<description><![CDATA[Urban space, entropic, narrative, suffering, eco-critical.]]></description>
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<h2 style="color:#123456;font-size:1.6em;">Entropic Urban Space in Alan Paton’s<br />
Cry, the Beloved Country</h2>
<p><strong>Author:</strong> Dr Shweta Saxena</p>
<p><strong>Volume:</strong> V14 &nbsp; | &nbsp; <strong>Issue:</strong> n2 &nbsp; | &nbsp; <strong>Month &#038; Year:</strong> Apr 2023</p>
<p><strong>Pages:</strong> 175-184</p>
<p><strong>Journal DOI:</strong> <a href="https://doi.org/10.5281/zenodo.10448030" target="_blank">https://doi.org/10.5281/zenodo.10448030</a></p>
<p><strong>Full Text PDF:</strong> <a href="http://www.the-criterion.com/V14/n2/AF01.pdf" target="_blank">Download PDF</a></p>
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<p><strong>Abstract:</strong><br />Alan Paton’s novel Cry, the Beloved Country is a narrative of land which is evident from</p>
<p><strong>Keywords:</strong> Urban space, entropic, narrative, suffering, eco-critical.</p>
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<p><em>Also explore our sister publication, <strong>Galaxy: International Journal in English</strong>, dedicated to promoting interdisciplinary literary scholarship — </em><a href="https://galaxyimrj.com" target="_blank">galaxyimrj.com</a></p>
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