Charandas Chor: A Study in Paradox
Shubhanku Kochar Research Scholar MDU Rohtak Before a detailed analysis of Tanvir’s play Charandas Chor as a study in paradox […]
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Romantic Elements in Claude McKay’s Poetry
Dr. S.T.Waghmode Associate Professor, Department of English, P. V .P. Mahavidyalaya, Kavathe Mahankal, Dist sangli, Maharashtra, India. & Mr. Somnath
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The Quest for Authenticity and Cultural Identity: A Study of Toni Morrison’s Song of Solomon
Mahboobeh Khaleghi Ph.D Research Scholar University of Mysore Toni Morrison’s Song of Solomon presents a family’s history, which invariably reflects
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An Endeavor for Identity in Mudrooroo’s “Wild Cat Falling”- A Critical Study
Janaiah Saggurthi Asst.Prof. of English K.L.University Vaddeswaram, Guntur Andhra Pradesh- India Pin-522502 I need the clefts and crevasses of, well,
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Conflation of Victorian Binaries and Creation of Dangerous Womanhood in Mary Elizabeth Braddon’s Lady Audley’s Secret
Oindrila Ghosh Assistant Professor Head, Department of English Naba Ballygunge Mahavidyalaya In the heart of the Victorian age, the 1860s,
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A Meeting of Streams: Bapsi Sidhwa as a Folk Historian and Myth Maker
Dr. G.A. Ghanshyam Iyengar Professor of English Govt. M.L. S. College, Seepat, Bilaspur (C.G.) 495 555 “Preserver of the collective
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Promoting Multiculturalism in R.Ramanathan’s Who is Kalam?
A.Edwin Jeevaraj Professor & Head, Department of English Adhiyamaan College of Engineering Hosur, Tamil Nadu, India. A general definition of
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The Treatment of Immigrant Experience in Jhumpa Lahiri’s The Name Sake
D.Ebina Cordelia Assistant Professor in English Holy Cross College,Tiruchirappalli Tamilnadu. Indian writing in English is one of the voices in
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Feminist Perspectives in the novel Yajnaseni of Pratibha Rai
Daxa Thakor Department of English, Shah N.H.Commerce College, Valsad. Gujarat. Among the contemporary fiction writings from Orissa, ‘Yajnaseni’- the story
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Rilke’s Duino Elegies and Tennyson’s In Memoriam: An Anatomy of Lament
Bibhudutt Dash Lecturer in English, SCS College, Puri, Orissa. It is clear that the most “compelling cause” of lament for