Decoding Masculinities: Reimagining Othello as Omkara

The Criterion

The Criterion: An International Journal in English
Volume 17, Issue 4 · August 2026 · ISSN 0976-8165

Open Access
CC BY 4.0
Crossref DOI


Decoding Masculinities: Reimagining Othello as Omkara


Dr. Kavita

Film & Media Studies
Pages 41-52
Article #03
2026V17N4004

DOI

Digital Object Identifier

10.66376/criterion.v17.n4.3

Registered with Crossref · Open Access · CC BY 4.0

Abstract

Race and caste have historically been studied as comparable systems of stratification, but that comparison has also been a subject of critique. In fact, since the sixties, there has been an active decline in the practice of identifying similarities between the two systems (Beteille 490). Drawing upon Andre Beteille’s argument, “inequalities of caste are illuminated in the same way as those of race by consideration of gender,” this paper argues that reimagining Othello as Omkara works not just because race and caste work as ‘cultural equivalents’ but because, at the core of it, there are shared masculine notions of gender that align Othello with Omkara, in the same way Othello’s mind works in tandem with Iago’s insinuations. It is gender, rather than race, that allows a ‘faithful’ adaptation of Shakespeare’s play.

Keywords
AdaptationMasculinitiesShakespeareOthelloOmkaraVishal Bhardwaj.

Cite This Article — MLA 9th Edition

Dr. Kavita. “Decoding Masculinities: Reimagining Othello as Omkara.” The Criterion: An International Journal in English, vol. 17, no. 4, August 2026, pp. 41-52. DOI, https://doi.org/10.66376/criterion.v17.n4.3.

Article History
Received
6 Jun 2026
Accepted
7 Aug 2026
Published Online
31 Aug 2026

Journal
The Criterion: An International Journal in English
Volume / Issue
Vol. 17, No. 4 (August 2026)
Pages
41-52
Article ID
2026V17N4004
ISSN
0976-8165

Open Access
CC BY 4.0
Crossref DOI

Open Access · CC BY 4.0 · Crossref DOI ·
the-criterion.com

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