Analyzing Select Poems of Dylan Thomas from the Lens of Memory Studies


The Criterion

The Criterion: An International Journal in English
Volume 17, Issue 2 · April 2026 · ISSN 0976-8165

Open Access
CC BY 4.0
Crossref DOI


Analyzing Select Poems of Dylan Thomas from the Lens of Memory Studies


Dr. Chandrima SenORCID

British Literature
Pages 416–426
Article #25
2026V17N2070

DOI

Digital Object Identifier

10.66376/criterion.v17.n2.25

Registered with Crossref · Open Access · CC BY 4.0

Abstract

The 19th-century Welsh poet, Dylan Thomas, is a prolific poet of his time. He is well known for delineating his emotional self. His poems ascertain the trajectory of life and living, hope and aspiration, time and place, nostalgia and memory and death and dying. The most significant aspect of his poetry appears to be the re-association and reorientation of his past. This particular paper concentrates on the select poems, namely "A Poem in October" (1944) and "Do not Go Gentle into that Good Night" (1951) where there is a spontaneous growth of time past and time present. His childhood innocence and youthful vigour occupy a special place in his poetry. The element of time sets to unite his thoughts with his actions. His poetic persona resonates between memory and recollection. This paper sets out to explore the idea of memory as a contemplating agent that strives as the primary advocate of all human perception.

Keywords
individualmemoryrecollectiontimeself

Cite This Article — MLA 9th Edition

Dr. Chandrima Sen. “Analyzing Select Poems of Dylan Thomas from the Lens of Memory Studies.” The Criterion: An International Journal in English, vol. 17, no. 2, Apr. 2026, pp. 416–426. DOI, https://doi.org/10.66376/criterion.v17.n2.25.

Article History
Received
3/16/2026/2026
Accepted
14 Apr 2026
Published Online
30 Apr 2026

Journal
The Criterion: An International Journal in English
Volume / Issue
Vol. 17, No. 2 (April 2026)
Pages
416–426
Article ID
2026V17N2070
ISSN
0976-8165

Open Access
CC BY 4.0
Crossref DOI

Open Access · CC BY 4.0 · Crossref DOI ·
the-criterion.com

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